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But a wave of young hip-hop artists who grew up on 2000s emo and pop-punk have put “emo-rap” back on the map. Two decades and five kids later, it feels more fitting to call Atmosphere “dad rap” at this point. The next summer, while drowning in a bad high school breakup, “God Loves Ugly” was my life jacket. This was on the heels of the group’s second studio album, 2002’s “God Loves Ugly.” The vulnerability in Slug’s verses was alluring, especially amid a sea of hyper-masculine rappers.
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The first time I heard the term “emo-rap” it was in reference to Atmosphere, the hip-hop group from Minneapolis. How the 19-year-old Chicagoland native's rockstar performance at the Riverside Theater represents a genre shift At the Riverside performance, Higgins paid tribute to Keef by rapping along to his hit “Faneto.” His stage name comes from a hairstyle Tupac wore in the 1992 film “Juice” and he cites Chicago’s Chief Keef as his biggest influence and inspiration. Higgins also maintains a respect for hip-hop’s half-century lineage and his hometown scene.
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He has expressed affection for “anything from alternative to post-hardcore: Black Sabbath, Fall Out Boy, Senses Fail, Megadeth, Panic at the Disco, Three Days Grace” and more. Of all the artists working in the emo-rap lane, Juice WRLD feels the most authentic. She did not allow him to listen to hip-hop, but considered pop and rock to be more acceptable. His mother was a very religious, conservative parent. Higgins attributes the Guitar Hero and Tony Hawk video games for his introduction to rock music. Then it became less of me trying to be a lyricist and more of me trying to be a musician and use more of the background that I have.” “ try to come up with the wildest punchlines and wordplay, trying to be as clever as possible. Juice WRLD at Milwaukee’s Riverside Theater by Daniel Ojeda